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Villa in Brianza (Biblioteca minima) (Italian Edition)

Search results of results for Books: Hardcover Paperback Kindle Books. La pelle 15 Oct Only 11 left in stock - order soon. Fox Novel Study 31 Aug El misterio del continente perdido Spanish Edition 2 Oct Kaputt 1 Feb La cognizione del dolore 31 Aug L'uomo di Londra 1 Mar The Cycling Professor 20 Dec Vittorio Livi came to know and appreciate glass from a very young age. Glass, solid and fragile, natural and artificial, ancient and industrial all at the same time, is a mass of seeming contradictions, and Livi loved it for just that, as well as for its practical qualities.

Glass is environment-friendly and hygienic: And this material of vast potential was virtually only used in the world of furniture for the production of small accessories or ornaments. From its earliest days, FIAM immediately focused on innovation as the driving force for achieving its business and cultural aims. This innovation would proceed on three fronts. The success of the complex process by which glass is transformed into the finished product relies on the experience of skilled craftsmen, who carry out various operations: A glassworking professional, capable of predicting, quantifying, controlling and finding the right alternatives in every single case.

In spite of the state-of-the-art technology used to forge it, the finished item is unique: The company has even created one-off technologies to produce some pieces. For example, in Massimo Morozzi came up with the design for the Hydra coffee table, with very pronounced shapes it would be difficult to obtain with the machinery then available. So FIAM invented a special machine called the Paser capable of pushing water and abrasive powder to a speed of one thousand metres a second — three times the speed of sound!

Hand-in-hand with its innovation in design, Livi has always invested heavily in innovation in technology. Industrially produced glass reaches FIAM in the form of sheets. After the initial cutting, grinding and milling stages, the sheet is ready for bending, a process which starts with preheating to degrees. At less than degrees, the vitreous mass crystallises and can no longer be moulded, while at a higher temperature it may become too free-flowing. To deal with these problems, over the years and as technology evolved, the small natural gas-fired bending furnace used to process the glass was replaced with another, larger, oil-fired one, and then by another powered by electricity, to guarantee better control of temperatures and the transformation of the heat from static to dynamic.

Instead of refractory bricks, nowadays insulation is provided by high-tech ceramic insulating tiles of the kind also used on the space shuttles. Originally made from clay, the die is now produced in thermal steel. Fiam has now reached its fifth generation of glass bending plants: It was purely and simply out of love that at the end of the eighties Dirk Wynants, an interior designer and son of a furniture maker, moved from his native region north of Antwerp to the other side of the country.

After having settled down in Gijverinkhove, in the most rural part of West Flanders, his passion for design pushed him to create Extremis, a furniture range offering so much more than just furniture. Extremis is a brand with a vision. A brand with a mission. A brand that breathes innovation. And if this is the case, do not hesitate to make it beautiful. Extremis does not aspire to simply put beautiful outdoor furniture on the market.

These tools must always be functional. And above all always better than the products already available. And each design is always a feast for the eye. By creating a whole range of extraordinary outdoor furniture uniting exceptional functionality and timeless design. Much more than just a furniture range: That lets them enjoy life together.

It does not matter whether you are dealing with personnel, neighbours, customers, or dealers, they are all people who ensure that Extremis can keep on doing what it is good at. Reducing transport volumes, using sustainably managed raw materials, making optimum use of raw materials, or observing quality standards guaranteeing that products last a lifetime: For Extremis it is essential that our planet remains liveable for centuries to come.

Only a profitable company can achieve these goals. Or the Kempen region. Extremis too has always done things its own way. Stick to what you are good at. Extremis has deliberately decided not to invest in a production department: Machinery should never determine what the next design will look like.

It should only depend on the innovative idea. This approach gives Extremis the freedom to choose the best materials and the most efficient suppliers for each design. For Extremis, assembly, quality control, and distribution are also of major importance.

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Only by paying the necessary attention to these stages, the products reach the end customer in optimum conditions. Right from the start, with all the technical challenges this choice implies. And with all the knowhow built up over the years. Extremis was founded in In less than five years time Extremis managed to secure a solid position on the international design market. Major contributor to this success was the Extempore range, introducing the combination of wood and aluminium, which is still very popular today.


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  • Although Extremis mainly focuses on the outdoor furniture market, several of its products such as Picnik and Kosmos have turned out to be perfectly at home indoors as well. Right from the start, Extremis has resolutely chosen to focus on export. Extremis is especially popular in its neighbouring countries, as well as in the United States and the Middle East. Several designs are patented proving that Extremis is not only about design but also and primarily about technological innovation.

    Extremis takes pride in delivering each order to the end customer no more than two weeks from the order date. Erba was founded in the Fifties in the heart of Brianza and stands as a model of harmonic blending of tradition and business spirit, aiming chiefly at the international market. The Company has grown over the years, thanks to the closely cooperation with Giorgio Soressi, the designer of the entire collection and Art Director of the Company, and is now seen as a landmark for refined, innovative design in Italy too.

    Each piece is born from the essence of en idea and then transformed into substance, living in perfect harmony with the space around. Design and technological innovation are the main elements that distinguish the company. The careful choice of the materials, the attention to details, the exclusive collection of fabrics and leathers, the uniqueness of the lines and shapes, create a continuous link between inspiration and passion.

    Erba has a large collection of sofas, armchairs, chaises longues and modular elements.

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    Plenty of ideas for those who want to create a new living space where comfort and beauty go hand in hand. Founded in by Wilton C. Emeco has been the leading manufacturer of handcrafted aluminum chairs for 65 years. Committed to principles that reach back in time to the values that built the culture and business. Their first product, the Navy Chair, is made to last a hundred and fifty years.

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    So much of what is manufactured today is destined for the trash heap. Not so with Emeco. The company and the products are handcrafted by professionals to last, and the principles and values that built the first chair still guide the company today. Like Emeco, America was built by people who saw problems as opportunities, who knew that the best idea could win, who believed that freedom is only worth something if you use it to create a better world. The people who invented the products understood that new materials and techniques opened onto great vistas of possibility.

    Like the folks who make the products at Emeco, they take pride in their work, and want to share the best they could do with as many people as possible. The key focus has always been to be selective about the products produced because the intention is to make them for decades to come. Avoiding hot design fads or the latest trends.

    Like true love, the products from Emeco are forever. Only the best intention will survive the process of becoming an Emeco product. Today, Emeco is on the leading edge of a revolution in product development that promises a new, more intelligent and sustainable way of life. Desalto can lay claim to two titles: But, as we are saying, Desalto enters the history of design at the beginning of the nineties. Its story sees the four brothers Orsenigo turn a tradition into a reality which could better answer the demands of the time.

    In Desalto originality is linked to tradition by another extraordinary peculiarity, namely its concept of technological research. And this dialectic between tradition and originality allows it to show precision in its project, topicality in its context and grace in its design; to underline the rigour of its invention and the courage of its choices; to emphasize elegance of substance and modesty of expression. From the sum of those features descend products that represent the desalto idea of contemporary living. Established in in Northern Italy, Cassina has been designing the future for eighty-five years.

    Known for over years for its dedication to excellent craftsmanship, Carl Hansen and Son produces furniture classics such as Hans J. Wegner, who designed four chairs in the first year, including the world-renowned Wishbone Chair. The company took a chance and dedicated the majority of its production to a designer who was unknown at the time. The company has its own sales representatives in Great Britain, Norway, Sweden, Germany and Hong Kong, while the rest of the world is covered by separate agents. The company currently has employees in Denmark and internationally. The company focuses on preserving decades of proud craftsmanship traditions while combining them with modern production technology.

    In line with its roots and Hans J. The company work closely with Hans J. From to today Cappellini is passed through a deep transformation that has brought the Firm to compare with the most different circles of the world of furnishings and design. From the first approaches to the international creativeness, passing through the marketing of pieces of high quality, to the presentation of designers of different extraction and character, Cappellini gave life during the years to different collections, heterogeneous, but that cohabit with great harmony and facility under the same brand.

    Cappellini therefore, born as an handicraft Firm, has leaned out to the new millennium indissolubly tied to the world of the image, of the experimentation and of the search of models, often of the most refined simplicity, that leaves enough space to the consumer for an individual interpretation. The products of Cappellini are never boring neither absurd, but they always possess something of alive and light, often full of healthy humor, other times proposing brave and dynamics formal solutions: Collezione introduces on the international stage products different for origin and for the experience of the designers, but coherent on the plan of the aesthetical and expressive search to reach a more and more cosmopolitan public; they are strong items, but able to integrate themselves in the different environments without creating upsettings.

    To satisfy the imagination and the intervention of the consumer, also maintaining a production of ample quantities, from the Cappellini devotes itself to the study and the realization of the collection Sistemi, a proposal of extreme flexibility that allows to furnish in different ways completely different environments through a vast range of colours, finishes, veneers and typologies of complements and accessories. Cappellini also dedicates its research to the objects and the complements creating in a collection of products for the house calm and measured, simple but of great design.

    Progetto Oggetto is the design of the normalcy and the synthesis; the lamps, the vases and the containers that compose the collection are as they should always be, pleasant and honest. It is this alchemy resulting from a mix of creativity, innovation and production that creates modern, yet timeless, pieces of furniture. Founded in by Ernesto Gismondi, President and CEO, the Artemide Group is based in Pregnana Milanese and operates through 24 controlled and related companies and a distribution network that includes almost 60 single-brand showrooms in major cities all around the world.

    The Artemide products are distributed in 83 different Countries. The high design contents, the high level of technological innovation, products conceived according to personal needs, as well as constant investments in marketing and communication are the key factors that allowed Artemide to develop into one of the best known and most prestigious lighting equipment brands in the world.

    Arco Meubelfabriek bv is a dutch furniture manufacturer of high quality design furniture. The company was founded in and is still family-owned. Willem van Ast is not only the owner of the company, but is also responsible for a great part of the Arco collection developed in the past few years. Furthermore, Arco also cooperates with internationally renowned designers such as Arnold Merckx, Burkhard Vogtherr and Michiel van der Kley. Arco manufactures tables, chairs, sideboards and also easy chairs and couches, suitable for use in both private and working spaces.

    Two worlds which nowadays coincide more and more and for which the furniture of Arco is very suitable. Every piece of furniture is made to order, conformably to the individual taste and wishes of the consumer, within the wide range of types of wood, lacquer colours and other materials. The furniture is characterized by contemporary sober design, with subtle details.


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    8. The pure design and modest style ensure a personal radiant beauty. Paying attention to the environment, Arco wants to produce a durable and technically high quality piece of furniture, by using a combination of computer technology and traditional craftsmanship.

      A piece of furniture that can be enjoyed for many years, both as to quality and design. In the architecture field he works with public and private clients such as the Benetton Group for whom he designed the entire complex in the industrial area of Castrette di Villorba Treviso. In October the Istituto Italiano di Cultura hosted a one-person exhibition of his work in the fields of architecture and design inChicago, Los Angeles and Washington. This resulted in successful collaborations with renowned designers in his sector and led to several awards and further recognition.

      In , under his guidance, the company took part in the first edition of Eurodomus, following an invitation from architect Gio Ponti. Martinelli Luce went on to attend the following editions in , and Elio Martinelli was continuously inspired by simplicity, geometry and the natural world. In his search for new ideas, technologies and production systems, Martinelli played a vital role in assisting the constant evolution of light sources. Martinelli tirelessly attended work every day up to his death in His engaging designs, such as the striking Serpente and Cobra, continue to communicate his original design impulse forty years since their genesis.

      Before his birth, his mother was determined that the child she was carrying would become the greatest architect of all time. At the age of twenty he ran away from home and travelled to Chicago in pursuit of architecture, where he discovered the work of Adler and Sullivan, applied for a job, and worked directly under Louis Sullivan for nearly seven years. In he established his own practice. His work in and around Chicago from to heralded a new concept in architecture.

      By means of reinforced concrete, glass, steel, sheet metal and the cantilever a support moved in from the edge , he developed an architecture in which the reality of the building was the space within. This evasive element — almost mystical by nature — of liberated interior space, is the pervading quality in everything he built. In Wright and his wife Olgivanna founded the Taliesin Fellowship, a school of architecture at their own home.

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      As his work increased so did the power of his creative genius. There seemed to be no end to the variety of forms, ideas, shapes, spaces, concepts and innovations that poured forth from him. He left behind him a group of people dedicated to the conception of organic architecture: Private houses in The Netherlands and Germany. Opera House in Kyoto. Showroom for The Steltman Collection, Amsterdam. Gio Ponti was born in Milan where he worked for his entire life, had an immense impact on architecture, design and art publishing both in Italy and throughout the world.

      One of the earliest of the Italian modern designers, Ponti helped to create a welcome, open environment for progressive art and design with his elegant and passionate work. Ponti started out at the Richard-Ginori Company as the art director of their ceramics. His pieces were inspired by Etruscan frescoes and Greek myth. Ponti was instrumental in the organization of the first Milan Triennials, and he became known for his architecture throughout the city.

      He left Domus in to start his other journal, Stile in which he could focus on art and the impact of the war on Italian architects and architecture. Ponti designed many of the covers for Stile and wrote articles under 23 different pseudonyms. In Ponti returned to Domus. This ladder-back chair, with a rush seat, was manufactured by Cassina, starting in Ponti designed crystal tables and lamps for Fontana and flatware for Krupp in the thirties.

      He also designed the interiors for several electric trains. Between Ponti worked with Paolo Venini to produced a series of blown glass bottles, and a multi-colored glass chandelier. These designs are some of the most utilitarian and purely functional works he produced, and their innovative features were their wide, flat surfaces for laying down objects. Pawson as born in in Halifax, Yorkshire. After a period in the family textile business he moved to Japan, where he spent several years working as a teacher and visiting the studio of Japanese architect and designer Shiro Kuramata.

      On his return to England, Pawson enrolled at the Architecture Association in London, leaving after only a brief period of study to establish his own practice in He is closely identified with the search for simplicity that has been characterised as Minimalism. His designs explore fundamentals — space, light and materials — and avoid stylistic mannerisms.

      He was also responsible for the design of the Venice Architecture Biennale. Since then, they have continued to work with prominent brands such as Ligne Roset, Cinna, Habitat and Sarila. Working with their team, they have found outlets for their creativity in a variety of fields: There is a strong current underlying each of their creations, as their innovative designs aim to shape trends yet retain a timeless quality. In , he developed the Pascal table system of conference tables, designed to be easily and attractively combined and interchanged to suit new commercial needs, especially those of the emerging home office.

      However his debut as a designer did not come about until ten years later. The period between, was dedicated to journalism and interior design for a German interiors magazine. He is inrenationally recognised in the field of design and has won numerous design awards. Charles Rennie Mackintosh born 7. After beginning his career as an apprentice to Glasgow architect John Hutchinson, Mackintosh moved in to the larger Honeyman and Keppie practice. At the same time he enrolled in several drawing and design classes at Glasgow School of Art, at that time one of the most important art colleges in Europe.

      A prestigous talent, Mackintosh won numerous prizes including in the coveted Alexander Thomson Travelling Studentship which enabled him to undertake a study tour of Italy. In George Walton was commissioned to design a room for one of her tearooms, and Charles Rennie Mackintosh designed murals for the walls. In Miss Cranston gave Mackintosh his first direct commission to design a room at her Ingram Street Tearoom, and then three years later the commission for a complete building; the Willow Tearooms on Argyle Street — a work that today still draws tourists from around the world. For the Willow Tearooms, Charles Rennie Mackinstosh not only designed the building but also the finer details, creating the interior design, the furniture — including the world renowned Willow Chair — and even the waitresses uniforms.

      The economic downturn of the early 20th century, couple to the outbreak of the Great War badly affected Mackinstosh and he and his wife moved to France where although Mackinstosh drew and designed, very few projects were even realised. In Charles Rennie Mackintosh died of cancer aged In , she became a full business and design partner and married Hans Knoll, after which they formed Knoll Associates.

      She was at once a champion of world-class architects and designers and an exceptional architect in her own right. As a pioneer of the Knoll Planning Unit, she revolutionized interior space planning. Poul Kjaerholm designed modern functionalist furniture that was praised for its understated elegance and clean lines. He studied at the School of Arts and Crafts in Copenhagen where he would later teach, from He went on to become a lecturer and professor in the furniture and interior design department at the Academy of Art from Although he was formally trained as a cabinetmaker, Kjaerholm was a strong proponent for industrial production, and his work stands out among that of his Danish contemporaries because of his extensive use of steel frames rather than the traditional wood.

      He did, however, design many of his seats in natural materials like cane, canvas, leather and rope. Simone added it Jul 07, Marta marked it as to-read Aug 24, Adelphi Edizioni added it Mar 06, Robert T Bowie marked it as to-read May 04, There are no discussion topics on this book yet. About Carlo Emilio Gadda.


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      • Carlo Emilio Gadda was an Italian writer and poet. He belongs to the tradition of the language innovators, writers that played with the somewhat stiff standard pre-war Italian language, and added elements of dialects, technical jargon and wordplay. Gadda was a practising engineer from Milan, and he both loved and hated his job. Critics have compared him to other writers with a scientific background Carlo Emilio Gadda was an Italian writer and poet.

        Critics have compared him to other writers with a scientific background, such as Primo Levi, Robert Musil and Thomas Pynchon--a similar spirit of exactitude pervades some of Gadda's books. Carlo Emilio Gadda was born in Milan in , and he was always intensely Milanese, although late in his life Florence and Rome also became an influence. Gadda's father died in , leaving the family in reduced economic conditions; Gadda's mother, however, never tried to adopt a cheaper style of life.

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        The paternal business ineptitude and the maternal obsession for keeping "face" and appearances turn up strongly in La cognizione del dolore. He studied in Milan, and while studying at the Politecnico di Milano a university specialized in engineering and architecture , he volunteered for World War I. During the war he was a lieutenant of the Alpini corps, and led a machine-gun team. He was taken prisoner with his squad during the battle of Caporetto in Octorber ; his brother was killed in a plane--and this tragic event death features prominently in La cognizione del dolore.

        Gadda, who was a fervent nationalist at that time, was deeply humiliated by the months he had to spend in a German POW camp. After the war, in , Gadda finally graduated. He practiced as an engineer until , spending three of these years in Argentina. The country at that time was experiencing a booming economy, and Gadda used the experience for the fictional South American-cum-Brianza setting of La Cognizione del Dolore.

        After that, in the s, he dedicated himself to literature. These were the years of fascism, that found him a grumbling and embittered pessimist.